Audio Recordings

Roger Waters
November 20, 2010
Toyota Center
Houston, Texas, United States
The Wall 2010


Disc 1:
Intro
Outside The Wall Intro
In The Flesh?
The Thin Ice
Another Brick In The Wall Part 1
The Happiest Days Of Our Lives
Another Brick In The Wall Part 2
Good Evening Houston
Mother (tape flip)
Goodbye Blue Sky
Empty Spaces/ What Shall We Do Now?
Young Lust
One Of My Turns
Don't Leave Me Now
Another Brick In The Wall Part 3/ The Last Few Bricks
Goodbye Cruel World

Disc 2:
Hey You
Is There Anybody Out There?
Nobody Home
Vera
Bring The Boys Back Home
Comfortably Numb
The Show Must Go On
In The Flesh
Run Like Hell
Waiting For The Worms
Stop
The Trial
Crowd
Outside the Wall
Crowd, Feedback and Roger
Band Introductions during outro


Taper's Notes:
I originally bought these tickets thinking I'd be by the soundboard.  After I had bought them I checked around, and then for months I thought I was wrong!  What a surprise when it turned out the seat numbers did go the direction I originally hoped them to.  You can see from the few horrible pictures I took where we were.  Our seats were behind the soundboard on their left.  I thought the sound overall was fantastic!  Much better than where I was for the DSOTM tour at the Pavilion (see 'Dark Side of Houston'.)  Even though we were in the back corner of the stadium floor, the venue was small enough to see well even from how far back we were.  For some reason the seats to our left were unoccupied, so we almost had the whole row to ourselves.  The folks behind us were well behaved, but the guys in front of us were double fisting their beers.  Therefore the beginning of the show is not that bad, audience-wise, but as it goes on it gets more and more rowdy.  I apologize for the tape flips, I really need to practice more doing those in the dark.  Also, there were some minor mic problems during the beginning of set two and after the tape flip before "Run Like Hell".  It didn't help that a Toyota Center staff member was seated next to me in "seat 0" blocking an entrance to the soundboard area the whole time making me paranoid about recording the show.  Besides some basic fades, I did not try to cover up any warts with this recording.  Unfortunately, there are no radio commercial(s) this tour, I must be getting old.  Also, I am running out of my stash of blank Maxell XLII-S tapes from the mid '90s so I used XLII type tapes instead.  I have an old, inexpensive tape recorder and a similar external mic.  For me, it does the trick.  If I was a techie, I'd say all that makes a 'warmer' sound than straight digital -- yea whatever!  I think the recording came out pretty darn good, but I am probably a bit biased.

Recording Location: Section F, Row 2X, Seat 1

Good Evening, Houston



Download the cover artwork at BootlegCoverArt.com
2 CDs
altdive
Audience
altdive
AIWA CM-2 "One Point Mic" > Sony TCM-86V "Cassette-Corder" > Maxell XLII
Maxell XLII > Nakamicki BX-300E > Wave Corrector (input, flip joins, boundary cuts) > GoldWave (fades, maxmatch) > Wave Corrector (track splits) > dBpoweramp (FLAC level 7)
FLAC
115 min
B
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