Roger Waters November 3, 2010 Izod Center East Rutherford, New Jersey, United States The Wall Tradeable
3 DVDs Tapehead2 Audience Digital Audience Master Tapehead2 Panasonic DSC-ZS3 (1280x720p AVCHD Lite) Master AVCHD > iMovie '09 > iDVD (Professional Quality 2-pass variable bit rate encoding) > disc image > Toast > DVD > MacThe Ripper (rip files, no re-encoding) > VIDEO_TS NTSC 16:9 111 min (Discs 1 and 2), 62 min (Disc 3) A A A-
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Disc 1: 2010-11-03 - Izod Center, East Rutherford, NJ: Outside The Wall intro In The Flesh? The Thin Ice Another Brick In The Wall Pt. 1 The Happiest Days Of Our Lives Another Brick In The Wall Pt. 2 Mother Goodbye Blue Sky Empty Spaces What Shall We Do Now? Young Lust One Of My Turns Don't Leave Me Now Another Brick In The Wall Pt. 3 The Last Few Bricks Goodbye Cruel World
Disc 2: 2010-11-03 - Izod Center, East Rutherford, NJ: Hey You Is There Anybody Out There? Nobody Home Vera Bring The Boys Back Home Comfortably Numb The Show Must Go On In The Flesh Run Like Hell Waiting For The Worms Stop The Trial Outside the Wall
Disc 3: 2010-11-08 - Wells Fargo Center, Philadelphia, PA: Outside The Wall intro In The Flesh? The Thin Ice Another Brick In The Wall Pt. 1 The Happiest Days Of Our Lives Another Brick In The Wall Pt. 2 Mother Goodbye Blue Sky Empty Spaces What Shall We Do Now? Young Lust One Of My Turns
Now for something different. This video was shot using a small handheld camera from the third row in 720p. Accordingly, it is not as sharp, steady, or clear of heads as my other shows which were filmed in full hi-def 1080i with a monopod from tiered or completely unobstructed seats. However, it does offer a unique vantage point and for that reason I'm putting it out there.
I hesitated to release this because I was unhappy with several songs in set one. My initial camera settings were a bit off so bright subjects tend to be overexposed for the first forty minutes. I adjusted my camera after Young Lust and it is improved the rest of the show. I feel bad about this though, so to make up for it I am tacking on what I have of Philly 11/8 as a bonus. For 11/8, I made it through to One Of My Turns before getting stopped by security. It's also shot from up close (4th row) and the exposure is better.
Finally, I'm a Comfortably Numb junkie so I added additional clips I took of that song on 11/8 (broke out the camera one more time) and 11/11. The latter clip gives a good view of the "spiraling wave of light" that was added sometime after the Izod shows. Its first appearance was either at MSG 11/6 or Philly 11/8.
